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independent, selective, and private kira yoshikage of jojo's bizarre adventure: diamond is unbreakable. written by snii. READ DISCLAIMER BEFORE INTERACTING! last updated: april 2024.

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• BIOGRAPHY

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• BACKSTORY
• STAND
• VERSES
• MAINS

↪ vitals .
FULL NAME ／ KIRA YOSHIKAGE
ALIAS ／ KAWAJIRI KOSAKU KIRA
ETHNICITY ／ JAPANESEAGE ／ 33
DATE OF BIRTH ／ JANUARY 30TH, 1966GENDER ／ CIS MALE
ORIENTATION ／ GREYROMANTIC BISEXUALAFFILIATION ／ INDEPENDENT
POSITION ／ N/A

↪ psychological .
MYERS-BRIGG ／ ISTJ - THE DUTY FULFILLER
ENNEAGRAM ／ TYPE ONE - THE REFORMER
TEMPERAMENT ／ PHLEGMATIC
ALIGNMENT ／ NEUTRAL EVILDIAGNOSIS ／
O1. ANTISOCIAL PERSONALITY DISORDER
O2. OBSESSIVE-COMPULSIVE DISORDER
O3. SOCIAL ANXIETY DISORDERMISCELLANEOUS ／
O1. CYNOPHOBIA
O2. HYPERVIOLENT
O3. NEED FOR NORMALCY
O4. QUIROFILIA↪ characterization .
POSITIVES ／
O1. CAUTIOUS
O2. DISCIPLINED
O3. INTELLIGENT
O4. METICULOUS
O5. PASSIVENEGATIVESS ／
O1. ARROGANT
O2. EGOCENTRIC
O3. INFLEXIBLE
O4. MACABRE
O5. VICIOUSQUIRKS ／
O1. NAIL-BITER
O2. SUPERSTITIOUS

↪ physique .
HEIGHT ／ 5'9'' - 175 CM
WEIGHT ／ 143 LBS - 65 KG
SKIN COLOR ／ TYPE II ON FITZPATRICK SCALE
HAIR COLOR ／ LIGHT BLOND
EYE COLOR ／ BRIGHT BLUEBODY TYPE ／ ECTOMORPHDISTINGUISHING FEATURES ／
O1. SKELETAL APPEARANCE, GAUNT FACIAL STRUCTURE. SHARP CHEEKBONES WITH SLIGHTLY SUNKEN IN EYES. FULL LIPS WITH LONG, THICK EYELASHES.O2. BROAD SHOULDERS WITH VERY NARROW HIPS. RETAINS A BODY TYPE SIMILAR TO A POWERLIFTER BUT CAN STILL BE DESCRIBED AS "LITHE". THIGHS AND BICEPS RETAIN THE MOST MUSCLE.O3. SMOOTH SKIN, BLEMISH FREE AND REGULARLY WAXES HIS BODY HAIR. HANDS IN PARTICULAR ARE SMOOTH AND SOFT TO THE TOUCH, ACCOMPANIED WITH FINELY TRIMMED AND WELL-MANICURED NAILS.O4. HAIR IS FLUFFY AND RATHER SOFT WHEN FELT, USUALLY WELL TAKEN CARE OF. WELL-KEPT SAVE FOR A COUPLE OF STRAY STRANDS HANGING LOOSE, ALMOST AS IF DONE ON PURPOSE.

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❗ ANIMAL DEATH TW!! ❗HE'S BORN TO A PAIR OF OLDER PARENTS— HIS MOTHER, KIMIKO, BEING IN HER MID FORTIES WHILE HIS FATHER, YOSHIHIRO, IS SOMEWHERE IN HIS FIFTIES. AS YOUNG AS THEIR TWENTIES AND SINCE THE PAIR'S CONSUMMATION, THEY WISHED TO HAVE A FAMILY OF THEIR OWN. THEY'VE TRIED FOR CHILDREN BEFORE THEN, THE EVENTS ALWAYS BEING AND ENDING THE SAME. TRAGEDY. TWO DEMONS TO BLAME BUT ONLY ONE CAN TAKE THE RESPONSIBILITY EVERY TIME: MISCARRIAGE OR STILLBIRTH. IT BECOMES EXHAUSTING FOR THEM, MENTALLY DRAINING ON THEM, BUT THEY STILL TRY. IT'S ALL THEY CAN DO, BECAUSE THEY WANT A FAMILY. THEY WANT THE IDEAL IMAGE OF A FAMILY. FOR BETTER OR FOR WORSE, THEY FINALLY GET THEIR WISH.WHEN HE'S BORN, THEY NAME HIM YOSHIKAGE AND SEE HIM AS A MIRACLE. THEY SPOIL HIM AND TREAT HIM WITH THE BEST INTENTIONS, PERHAPS NEARING THE POINT OF OVERINDULGING AND EVEN SWARMING HIM. HIS MOTHER IN PARTICULAR WAS LOUD AND OVERT IN HER AFFECTIONS WHILE HIS FATHER WAS QUIET BUT DOTING ALL THE SAME. HE'S REFERRED TO AS YOSHIKAGE WITH PARENTAL AFFECTION, BUT IT FEELS WRONG. THE NAMESAKE "KIRA" LENDS ITSELF TO HISTORIC JAPANESE NOBLES, AND HE FEELS PRESSURED TO UPHOLD THE IMAGE EVEN IF HIS PARENTS SEEM LESS THAN INTERESTED IN IT. IT ENHANCES HIS ANXIETY, CAUSING FOR HIM TO YEARN FOR SOMETHING... SMALLER. QUIETER. HE APPRECIATES HIS PARENTS IN WHAT HALFHEARTED WAYS HE CAN MUSTER, BUT HE FINDS THAT HE DESIRES PEACE AND QUIET ON A LARGER SCALE.AS SUCH, HE PREFERS TO BE REFERRED TO AS "KIRA" IF NOT BY HIS FULL NAME. HIS PARENTS OBLIGE TO THIS WISH WITHOUT ANY FUSS, AS PREDICTED. HE GROWS MORE AT EASE GRADUALLY, LEARNING TO PHASE OUT THE SMOTHERING AFFECTIONS OF HIS MOTHER AND CASUALLY EVADE THE SUBTLE PRAISES OF HIS FATHER. OVER TIME, HE BECOMES ACCUSTOMED TO SEVERAL HOBBIES, PARTICULARLY TO LITERATURE AND DANCE THOUGH HE KEEPS HIS IMPRESSIVE PROWESS WITHIN THESE ON THE DOWN LOW. HE SEES ATTENTION, OF ANY KIND, AS A NEGATIVE AND FEELS NOTHING BUT DISCOMFORT WITHIN IT. AS SUCH, HE YEARNS TO MAINTAIN AN "AVERAGE" IMAGE THROUGHOUT HIS LIFE. HE RECEIVES A RATHER GOOD EDUCATION BUT ONLY SEEMINGLY USES IT TO PLACE, AT MOST, "THIRD PLACE" IN ACTIVITIES. HE'S NOT INTERESTED IN THE GLORY OF FIRST PLACE, BECAUSE IT ATTRACTS ATTENTION. NOR IS HE INTERESTED IN THE SHAME OF LAST PLACE, BECAUSE IT ALSO ATTRACTS ATTENTION.HE'S A QUIET CHILD AND KEEPS TO HIMSELF, AND IT'S WHAT MAKES HIM BELIEVE THAT HE'S OKAY. BUT HE'S NOT OKAY. LIFE KNOWS ALL OF THE FUNNIEST WAYS TO FLIP THAT HAPPY LIFE UPSIDE-DOWN, AND THAT'S EXACTLY WHAT IT DID. KIRA'S ATTACKED BY AN ANIMAL— A LARGE DOG. AS CONSEQUENCE, HE'S NEARLY MAULED AND IS REQUIRED TO STAY HOME FOR MORE THAN JUST A FEW WEEKS. HE THINKS HE CRACKED A FEW RIBS DURING IT, TOO. HE DOESN'T RECALL IF IT HAS A COLLAR, BUT IT DOESN'T MATTER. HE DOESN'T CARE. THIS ONLY CAUSES FOR HIS PARENTS TO GROW MORE PROTECTIVE OVER HIM, HIS MOTHER PRACTICALLY INSISTING THAT KIRA NOT BE EXPOSED TO THE OUTSIDE WORLD UNLESS IT'S ABSOLUTELY NECESSARY. THE DOG'S CAPTURED A FEW DAYS LATER AND PUT DOWN, NO QUESTIONS ASKED. WHEN KIRA FINDS OUT ABOUT THIS THROUGH THE LOCAL NEWSPAPER, HE DOESN'T FIND HIMSELF OVERJOYED OR RELIEVED JUST... FEARFUL. CONFUSED. CONFLICTED. HE LEARNS HE DOESN'T LIKE DOGS AFTER THAT.WHILE RECOVERING, HIS FAMILY GO ON UNPROMPTED TRIPS TO MUSEUMS, LIBRARIES, AND OTHER "WORLDLY" AREAS. WITHIN ONE SUCH LIBRARY, KIRA FINDS HIMSELF INVESTED SPECIFICALLY WITHIN AN ART BOOK. INSIDE IT HE DISCOVERS THE MONA LISA AND EXPERIENCES... SOMETHING. HE'S NOT PARTICULARLY ASHAMED OF THIS REACTION, BUT HE DOESN'T BRING IT UP TO ANYONE, EITHER. HIS EYES WERE DRAWN ALMOST IMMEDIATELY TO HER HANDS, TAKING IN THE DELICATE, SMOOTH, AND TEMPTING FEATURES THEY POSSESSED. WITHOUT SPEAKING OR CALLING ATTENTION TO HIMSELF, HE TORE OUT THE PAGE AND STOWED IT AWAY IN HIS POCKETS. AN IMPULSIVE ACTION, YES, BUT IT WASN'T ONE THAT HE FELT IT NECESSARY TO FEEL GUILT FOR. HE WAS JUST A KID, AFTER ALL, AND ALL HE LIKED WERE HER HANDS. IT WAS ONLY AN INNOCENT CURIOSITY BY NATURE, WAS IT NOT?HIDING AWAY HIS VARIOUS QUIRKS AND ANY SYMPTOMS THAT COULD LEAD HIM TOWARDS A DIAGNOSIS, HE DEVELOPS THE PARTICULAR QUIRK OF NAIL BITING. IT'S SO EXTREME AND SO EXCESSIVE THAT HE LOSES TRACK OF HIMSELF AND BITES HIMSELF. HE DRAWS BLOOD DURING THESE MOMENTS BUT DOESN'T CARE. OVER TIME, HE LEARNS TO MANAGE THIS TO THE POINT OF CREATING A HABIT OF CLIPPING AND TRIMMING THEM. IT WAS DURING THIS THAT HE BECOMES INTERESTED IN SUPERSTITION AND BEGINS TRACKING HIS "LUCK" WHILST RELATING IT TO HIS VARIOUS NAIL CLIPPINGS AND THEIR LENGTHS. BY THE AGE OF SEVENTEEN, HE'S FILLED AT LEAST A JAR OF JUST HIS NAIL CLIPPINGS AND HAS, MAYBE, TWENTY OR SO PAGES OF FORTUNE TELLING WITHIN A PERSONAL JOURNAL.A GIRL, YOUNGER THAN HIM BY JUST A YEAR, AT HIS SCHOOL CATCHES HIS ATTENTION— NO, MORE SPECIFICALLY, IT WAS HER HANDS. EVERY TIME HE SAW HER, HE WOULD NEVER STARE AT HER FACE OR HER BODY BUT RATHER... HER HANDS. HE LIKED THEM. YES, HE LIKED THEM A LOT, BUT THEY WERE ATTACHED TO SOMEONE, WERE THEY NOT? DUE TO HIS OVERALL SHELTERED NATURE, HE HAD NO PROPER IDEA OF HOW TO APPROACH HER. HE COULDN'T SIMPLY TALK TO HER, NO! THAT WOULD PUT HIM AT RISK OF HUMILIATION, SIMPLY BECAUSE HE COULDN'T GAUGE HER AS A PERSON. NO, NO, THAT WAS TOO RISKY. INSTEAD, HE HAS ONLY A LOOSE IDEA OF WHAT TO DO. HE DOESN'T LET HER LEAVE HIS SIGHT WHILE, SIMULTANEOUSLY, KEEPING HIS DISTANCE. SHE DOESN'T KNOW WHO HE IS, BUT HE KNOWS WHO SHE IS. A FEW WEEKS GO BY BEFORE KIRA DECIDES WHAT TO DO.AT THE END OF A SCHOOL DAY, HE FOLLOWS HER FROM A COMFORTABLE DISTANCE. HE FINDS WHERE SHE LIVES, BUT HE DOESN'T PROCEED ANY FURTHER. INSTEAD, HE GOES HOME AND CLIPS HIS NAILS. UPON FIGURING OUT HIS FORTUNE, HE'S GIVEN GOOD NEWS AND WAITS FOR NIGHT TO FALL WITH QUIET EXCITEMENT. AS SOON AS THE SUN SETS AND THE NIGHT DARKENS, HE PULLS ON A PAIR OF GLOVES THEN SNEAKS OUT OF HIS HOME AND INTO HER HOME. HE CLIMBS IN THROUGH AN UNLOCKED WINDOW, INTO HER KITCHEN, AND RIGHT INTO THE SIGHTS OF HER DOG. KIRA DIDN'T KNOW ABOUT THE DOG AND, AS SUCH, BEGINS TO PANIC. THE DOG GROWLS, SNARLING AT KIRA BEFORE IT LUNGES FOR HIM. WITHOUT MUCH TIME TO THINK, HE TAKES A KITCHEN KNIFE AND DEFENDS HIMSELF. HE THINKS HE'S DEFENDING HIMSELF, ANYWAY. THAT'S WHAT HE REMEMBERS. THE DOG'S THROAT IS SLASHED, AND HE'S SHOCKED BUT ONLY FOR A LITTLE WHILE. HE DRAGS THE BODY INTO THE BATHROOM AND SLUMPS IT OVER INTO THE BATH.THERE'S LITTLE TIME FOR HIM TO THINK AND GATHER HIS BEARINGS. WITHOUT FURTHER HESITATION, HE FINDS HER PARENTS SLEEPING SOUNDLY. HE DISRUPTS THEIR SLEEP BY KILLING THEM, SLITTING THE FATHER'S NECK WHILE STABBING THE MOTHER IN HER HEAD. BLOOD COVERS HIS CLOTHING, BUT HE DOESN'T CARE. HE PROCEEDS INTO THE LIVING ROOM AND SPOTS HER SLEEPING FORM UPON A COUCH, NOT THAT IT MATTERS MUCH TO HIM. ALL HE CARES ABOUT ARE HER HANDS. WITHOUT THINKING OR WITHOUT MUCH CARE, HE KNEELS BEFORE HER AND NOTICES ONE OF HER ARMS DANGLING OFF TO THE SIDE. AS HE'S REACHING FOR HER HAND, HE NOTICES HER BEGIN TO STIR. REFUSING TO SUCCUMB TO FURTHER PANIC, HE CRAWLS UNDER THE COUCH AND WAITS. SHE GETS UP, LEAVES FOR ABOUT TEN OR SO MINUTES BEFORE SHE COMES BACK, SITTING DOWN. A HAND SETS ITSELF UPON HIS HEAD, PETTING HIM. KIRA REMEMBERS THIS PART RATHER FONDLY, CRUELLY THINKING OF IT AS A "FIRST DATE". HE'S NOT THINKING RIGHT IN THOSE NEXT MOMENTS, BUT WHO COULD BLAME HIM?HE LICKS HER HAND, LIKE HER DOG. BUT PERHAPS HE GOT A BIT TOO OVERZEALOUS, BECAUSE SHE'S LOOKING DOWN. THEIR EYES MEET, AND THAT'S WHEN KIRA KNOWS HE'S BEEN CAUGHT. SHE RUNS, AND HE WISHES HE WAS JUST AS FAST... OR EVEN FASTER. SHE RUNS INTO ANOTHER ROOM, BARRICADES THE DOOR WITH WHAT LITTLE SHE HAS, AND HE HEARS HER SHOUTING. SHE'S SHOUTING AT SOMEONE, TELLING THEM TO ESCAPE BUT IT DOESN'T MATTER. THE DOOR'S BROKEN THROUGH AS HE STABS FURIOUSLY AT IT, SPRAYING WOOD CHUNKS EVERYWHERE. SOON AFTER, HE BREACHES AND FINDS ONLY HER. HE DOESN'T SEE NOR SEEM TO NOTICE THE OPENED WINDOW BEHIND HER. HE GOES FOR HER, TACKLES HER, HOLDS HER DOWN, AND STABS HAPHAZARDLY INTO HER BACK. HE DOESN'T STOP EVEN AFTER HE KNOWS SHE'S DEAD, ONLY STOPPING WHEN HIS ARM GROWS TIRED. BY THEN, HIS ATTENTION FALLS BACK TO HER HANDS. THE TEMPTATION TO CUT THEM CLEAN OFF AND TAKE THEM IS STRONG, BUT THE PANIC STARTS TO SET IN. IT TAKES LITTLE TIME FOR HIM TO FLEE THE SCENE.HE RETURNS HOME WITH HIS CLOTHES BLOODIED AND TRIES TO HIDE THEM. THE NEXT DAY AT SCHOOL IS TENSE, QUIET, AND HEAVY. NEWS OF THE GIRL AND HER FAMILY'S DEATHS TRAVELS FAST, AND KIRA REMAINS CALM AND COLLECTED ON THE OUTSIDE BUT THE INSIDE REMAINS ANOTHER STORY. WHEN HE ARRIVES HOME, HE'S GREETED FIRST BY HIS FATHER HOLDING HIS STAINED SHIRT. INSTEAD OF TURNING HIM IN OR EVEN CHASTISING HIM, YOSHIHIRO DECIDES TO AID HIS SON IN CONCEALING HIS IDENTITY AS THE MURDERER. OVER THE YEARS, KIRA'S ACQUIRED A BODY COUNT, AND NOTHING POINTS NOR LEADS TO HIM AS THE CULPRIT. HE HAS HIS FATHER TO THANK FOR THIS. THESE URGES... THE MURDEROUS URGES ARE TO BLAME FOR HIS REASON TO KILL, BUT HE DOESN'T TRY TO STOP IT. IT COMES IN WAVES, CRASHING INTO HIM AND PRACTICALLY BEGGING FOR HIM TO GIVE IN AND KILL AGAIN. IT WORRIES YOSHIHIRO, BUT ONLY BECAUSE IT PUTS KIRA AT RISK FOR BEING LOCKED UP.ONE YEAR, YOSHIHIRO IS CALLED TO EGYPT. HE'S GIVEN A MAGIC ARROW BY AN OLD WOMAN, WITH PROMISES THAT IT'LL SOLVE ALL OF HIS PROBLEMS. WHEN HE RETURNS TO MORIOH, THE ARROW STABS ITSELF INTO YOSHIHIRO AND GRANTS HIM A STAND. LATER THAT NIGHT, YOSHIHIRO LETS THE ARROW LEAD HIM TO KIRA'S ROOM AND, AS SUCH, STABS HIS SON IN HIS SLEEP. GIFTED WITH A STAND, KIRA IS UNAWARE OF HIS STAND'S TRUE EXISTENCE BUT EXPERIMENTS NONETHELESS. OVER THE NEXT FEW YEARS, HE KILLS MORE AND MORE BUT HAS TO HIDE LESS AND LESS EVIDENCE UNTIL, FINALLY, NOTHING REMAINS OF HIS MALICIOUS DEEDS SAVE FOR "LOCAL GIRLS MISSING" CROWDING THE HEADLINES OF THE NEWSPAPERS. IT DOESN'T BOTHER KIRA, THOUGH, BECAUSE NOW HE HAS A WAY OF CLAIMING THEIR HANDS WITHOUT MUCH OF A FUSS. HE KEEPS A HAND FROM HIS MOST RECENT VICTIM, TREATING IT AS A GIRLFRIEND THROUGH CELIBATE MEANS AND PAMPERING IT AS SUCH UNTIL IT BEGINS TO ROT. AFTER THAT, HE DISPOSES OF IT WITH HIS STAND AND BEGINS A SEARCH FOR ANOTHER "GIRLFRIEND".AT THE AGE OF TWENTY-ONE, HIS FATHER SUCCUMBS TO CANCER. SHORTLY AFTER, HIS MOTHER DIES OF NATURAL CAUSES. DESPITE THE QUESTIONING AND OFFERS OF COMFORT, KIRA ISN'T AFFECTED BY THE NEWS. HE MOVES ON WITH HIS LIFE EASILY, GRADUATING FROM D UNIVERSITY, DUBBING HIS STAND AS KILLER QUEEN, AND FINDS A JOB AS A SALESPERSON WITHIN S CITY. HE ISN'T ENTHUSIASTIC WITH HIS JOB BUT ISN'T MEEK, EITHER. THE PROMOTIONS COME NATURALLY, KIRA ACCEPTING THEM AS THEY COME TO HIM RATHER THAN ACTIVELY SEEKING THEM OUT. EVENTUALLY, ONE PROMOTION BRINGS HIM TO THE MORIOH-CHO BRANCH, AND HE'S REMAINED THERE SINCE.↩ RETURN

↪ abilities .
BOMB TRANSMUTATION ／ KILLER QUEEN'S PRIMARY BOMB. AFTER TOUCHING ITS DESIRED OBJECT, KILLER QUEEN ESSENTIALLY TURNS SAID ITEM (ANIMATE OR NOT.) INTO A BOMB THAT IT OR KIRA CAN DETONATE WITH A SIMPLE "TRIGGER PRESS" GESTURE ONCE THE BOMB COMES INTO CONTACT WITH ITS TARGET. THIS CAN ALSO APPLY TO LIVING TARGETS, BE IT THROUGH THEIR CLOTHING, A PERSONAL BELONGING, OR EVEN ONE OF THEIR BODY PARTS. THE BOMB'S CHARGE TRAVELS THROUGHOUT THE TARGET'S BODY BEFORE EXPLODING. KILLER QUEEN CAN ALSO ACTIVATE THE EXPLOSION MANUALLY WITHOUT HAVING TO WAIT FOR IT TO COME INTO CONTACT WITH ITS TARGET. THE CHARGE AUTOMATICALLY EXPLODES, HOWEVER, IF SOMEONE COMES INTO CONTACT WITH THE OBJECT BEFORE KIRA OR KILLER QUEEN CAN DETONATE IT AND IS USED ON THAT PERSON, INSTEAD. DIRECT CONTACT WITH EITHER KIRA OR KILLER QUEEN, ADDITIONALLY, ALSO CAUSES THESE EFFECTS AND, THUS, SKIPS THE CHARGING PROCESS.ANYONE THAT IS DETONATED WITH THE EXPLOSION IS INCINERATED AS A SIDE EFFECT, ERASING ALL SIGNS OF THEIR EXISTENCE INCLUDING CLOTHING, PERSONAL BELONGINGS, AND ANYTHING ELSE WITHIN A MATTER OF SECONDS. IT IS POSSIBLE TO SURVIVE THE EXPLOSION, ESPECIALLY IF IT IS FROM A NEARBY OBJECT BUT THIS IS EXTREMELY RARE. KIRA'S CAPABLE OF CONTROLLING THE EXPLOSION'S SIZE AND STRENGTH, USUALLY FAVORING TO REMOVE ALL TRACES OF HIS VICTIMS BESIDES FOR THEIR RIGHT HAND, ESPECIALLY THOSE OF WOMAN'S. HE CAN, HOWEVER, CONTROL THE EXPLOSION TO SUCH AN EXTENT THAT HE CAN PICK AND CHOOSE WHICH BODY PARTS ARE REMOVED FROM HIS TARGET. THE EXPLOSIONS ARE UNUSUALLY QUIET TO BYSTANDERS BUT CAN BE SEEN BY STAND AND NON-STAND USERS ALIKE.FOR THE BOMB TO PROPERLY ACTIVATE, HOWEVER, KIRA OR KILLER QUEEN HAVE TO PERFORM THE "TRIGGER PRESS" GESTURE ACCORDINGLY. OXYGEN IS ALSO NECESSARY, AS THE BOMBS WORK VERY SIMILARILY TO INCENDIARY BOMBS. ONLY ONE OBJECT AT A TIME CAN BE CHARGED.

SHEER HEART ATTACK ／ KILLER QUEEN'S SECONDARY BOMB. NEARLY INDESTRUCTIBLE IN DESIGN, IT IS AN AUTOMATIC BOMB THAT DETACHES FROM KILLER QUEEN'S LEFT HAND, MEANING THAT ANY STAND ATTACKS THAT AFFECT IT ALSO AFFECT KIRA'S LEFT HAND. THIS CAN BE USED AND ACTIVE ALONGSIDE THE PRIMARY BOMB, SEEING AS IT ONLY REQUIRES USE OF ONE HAND. COMPLETELY AUTONOMOUS AND STILL FUNCTIONAL EVEN WHILE KIRA IS A GREAT DISTANCE AWAY, SHEER HEART ATTACK SEEKS OUT THE WARMEST TARGET IN ITS VICINITY AND IS CAPABLE OF SWITCHING TARGETS IN AN INSTANT ONCE A WARMER ONE POPS UP.SHEER HEART ATTACK IS VERY PERSISTENT AND WILL NOT STOP UNTIL ITS TARGET IS ELIMINATED. EVEN IF KIRA'S LEFT HAND IS REMOVED BY WHATEVER MEANS, IT WILL CONTINUE TO FUNCTION AS IF NOTHING IS WRONG. UPON REACHING ITS TARGET, IT AUTOMATICALLY TRIGGERS AN EXPLOSION WHOSE POWER AND RADIUS THAT IS EQUAL TO THE TARGET'S BODY HEAT. IF IT'S SET OFF BY NON-HUMAN TARGETS, IT WILL CONTINUE ITS RAMPAGE UNTIL REACHING A TARGET THAT IS DEEMED AS "HUMAN", THUS EXPLODING. LIKE THE PRIMARY BOMB, ITS EXPLOSION ALSO REMOVES ALL PHYSICAL EVIDENCE OF ITS TARGET.BECAUSE IT IS AN AUTOMATIC STAND, IT WILL NOT HEED KIRA'S ORDERS COMPLETELY. IT WILL MERELY SEEK OUT THE WARMEST TARGET IN ITS RANGE AND HUNT THEM DOWN UNTIL ITS MISSION IS COMPLETE, MEANING THAT KIRA DOES NOT NECESSARILY HAVE CONTROL OVER ITS TARGET. IF SHEER HEART ATTACK NEEDS TO BE DEACTIVATE BEFORE EXPLODING, KIRA NEEDS TO BE WITHIN ITS RANGE TO PROPERLY DEACTIVATE AND THEN RETRIEVE IT.

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BITES THE DUST ／ KILLER QUEEN'S TERTIARY BOMB. KIRA HAS ONLY ACQUIRED THIS ABILITY RECENTLY, AFTER BEING SHOT BY THE ARROW A SECOND TIME. THIS BOMB TAKES ON THE FORM OF A MINIATURIZED KILLER QUEEN THAT HIDES INSIDE WHOEVER IT'S PLANTED IN. IT IS INDEPENDENT OF KIRA'S WILL, ONLY SHOWING ITSELF WHENEVER IT'S TRIGGERED. BORN FROM KIRA'S INTENSE DESIRE AND DESPERATION TO REMAIN HIDDEN, IT ACTIVATES ITSELF WHEN KIRA'S IDENTITY IS REVEALED AUDIBLY OR THROUGH WRITING. ADDITIONALLY, IT WILL ACTIVATE WHEN OTHER STAND USERS SEE AND COME INTO CONTACT WITH IT. WHEN TRIGGERED, IT WILL ENTER THE EYE OF THE PERSON THAT TRIGGERED IT AND EXPLODES. ITS BOMB CAN DETONATE MULTIPLE PEOPLE SIMULTANEOUSLY.AFTER KILLING SOMEONE WITH ITS POWER, IT CREATES A TEMPORAL LOOP AND REWINDS TIME TO ROUGHLY AN HOUR PRIOR TO THE DETONATION. BITES THE DUST IS AUTONOMOUS, THUS KIRA IS UNAWARE OF WHO IT KILLS AND WHEN A TIME LOOP HAS BEEN CREATED. THE ONLY PERSON AWARE OF THE TIME LOOP IS THE ONE THAT'S HARBORING BITES THE DUST AND IS ALSO THE ONLY ONE THAT RETAINS ANY MEMORY OF THE PREVIOUS LOOPS, SHOULD THEY REOCCUR. ALL ACTIONS THAT HAPPENED IN THE FIRST LOOP ARE DESTINED TO HAPPEN IN THE NEXT ONE, THE ONE AFTER THAT, AND SO ON. DEVIATIONS ARE LIABLE TO HAPPEN, BUT ALL TARGETS THAT WERE KILLED PREVIOUSLY WILL EXPLODE AT THE SAME TIME IN THE PREVIOUS TIME LOOP EVEN IF BITES THE DUST HAS NOT BEEN RE-ACTIVATED IN THE CURRENT TIMELINE.THE HOST MUST BE ALIVE AND, AS SUCH, IS UNDER THE MINIATURE KILLER QUEEN'S "PROTECTION". IN ADDITION, BITES THE DUST WILL NEVER HARM THE PERSON ITS INSIDE OF WITH ITS EXPLOSIONS. KIRA HIMSELF IS ALSO UNABLE TO HARM THE BOMB CARRIER AS THE MINIATURE KILLER QUEEN WILL INTERCEPT ANY OF HIS ATTEMPTS TO DO SO. IT IS CAPABLE OF REVIVING ITS NEW-FOUND HOST SHOULD THEY BE DEAD WHEN IT'S ACTIVATED.BITES THE DUST CAN ONLY BE STOPPED IN TWO WAYS. ONE WAY IS TO KILL KIRA, THUS ERASING KILLER QUEEN'S EXISTENCE AND CANCELING OUT THE EFFECTS. THE OTHER WAY WOULD BE TO FORCE KIRA TO WITHDRAW IT, CAUSING FOR ALL TARGETS MARKED FOR DEATH TO BE SPARED FROM THEIR PREDETERMINED FATE. KIRA IS UNABLE TO USE ANY OF HIS STAND'S OTHER ABILITIES ONCE BITES THE DUST IS ACTIVE, SO HE WILL NEED TO DEACTIVATE BITES THE DUST IN ORDER TO USE KILLER QUEEN TO DEFEND HIMSELF. IN ADDITION, IT APPEARS THAT THIS BOMB CAN ONLY BE PLANTED IN NON-STAND USERS, AS KIRA RELIES ON TELLING HIS SECRETS TO NON-STAND USERS TO ENABLE THE ABILITY.↩ RETURN

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DIAMOND IS UNBREAKABLE: THE BEFORE
TIMELINE ／ 1990'S | POSITION ／ OFFICE WORKER
SET DURING THE EVENTS OF DIAMOND IS UNBREAKABLE AT ANY TIME WITHIN THE STORY. HE IS EITHER YOSHIKAGE KIRA, BORING AND PLAIN OFFICE WORKER WITH A STRICT SCHEDULE OR CAN BE MASQUERADING AS KAWAJIRI KOSAKU, A BULLIED OFFICE WORKER WITH AN UNREMARKABLE LIFE. REGARDLESS, HE IS NOT YET IN POSSESSION OF BITES THE DUST AS A STAND ABILITY.DIAMOND IS UNBREAKABLE'S REMNANTS: THE AFTER ／ MAIN
TIMELINE ／ 1990'S | POSITION ／ ACCOUNTANT
SET RIGHT AFTER THE EVENTS OF DIAMOND OF UNBREAKABLE WHERE KIRA "SURVIVES"— WITH HEAVY QUOTATIONS AROUND THE WORD. AFTER DYING, KIRA'S GHOST BRIEFLY ASCENDS BEFORE REELING RIGHT BACK INTO HIS BODY. HE WAKES UP IN A MORGUE WITH A HARSH HEADACHE. RETAINING HIS ORIGINAL APPEARANCE ALONGSIDE HIS NEW-FOUND ABILITIES WITHOUT TRULY KNOWING WHY, KIRA ESCAPES BY USE OF HIS STAND. RECENTLY AND UNBEKNOWNST TO MOSTLY EVERYONE, HE'S BEEN LIVING WITH A CERTAIN MANGAKA UNDER STRICT CONDITIONS THAT HE'S, SURPRISINGLY, AGREED TO.↩ RETURN

↪ extra reading .
kira yoshikage: condensedkira's fate post!diu ／ kira's hand fetishism
kira's sexism / kira's victim complex / kira's parents
kira's relationship with normalcy

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